naked lunch

domingo, novembro 04, 2007

quem és tu zé gato?

I like too many things and get all confused and hung-up running from one falling star to another till I drop. This is the night, what it does to you. I had nothing to offer anybody except my own confusion. jack k.

... um big big blog avisou... o "on the road" fez por estes dias 50 anos... datas, tempo (muito)... se é actual ou não, não importa... sobre o livro... a viagem pela viagem... liberdade... tudo isso... mas lembro-me sobretudo de uma invocação... um tipo a tocar... repetitivo (talvez, minimal penso que não, não assisti ao concerto, ainda não tinha nascido por esses dias)... concentração, focado, supera-se... som e músico (ressoador?)... fundem-se... um estado de hipnotismo (auto)... o resultado parece ter impressionado o autor... improviso... automático... mental... sublime... criação criação criação... lições...

5 comentários:

Ana disse...: ... foi por causa desse livro que agarrei nos meus 17 anos e fui de mochila , sózinha ...à descoberta do Sul :)
que saudades ! ! !; 2:57 da tarde
merdinhas disse...: "On the Road. Remembering Kerouac.
http://rememberingjackkerouac.blogspot.com/

CONCEITO
O passado dia 5 de Setembro marcou 50 anos desde que foi publicado On the Road, o mais famoso livro de Jack Kerouac. A efeméride juntou 13 artistas portugueses que apresentam uma exposição conjunta.

A proposta dos artistas percorre várias disciplinas do desenho à fotografia, do video ao som, com cada artista a propor uma leitura sobre o livro, o universo de Kerouac e/ou de toda a beat generation, deixando em aberto possíveis leituras para outras zonas da criação.

ACTIVIDADES PARALELAS

- Ciclo de cinema na Cinemateca : "Road Movie" de 5 a 30 de Novembro

- Leituras de textos da Beat Generation no Espaço da exposição: data a confirmar

- Concerto de encerramento a 1 de Dezembro com Tó Trips (Dead Combo, ex-Lulu Blind)

LOCAIS

Avenida da Liberdade, n.º 211, 2º Andar, em Lisboa. (EXPOSIÇÃO)

Rua Barata Salgueiro, nº 39. (CINEMATECA)

DATA

Inauguração: 9 de Novembro. Encerramento: 1 de Dezembro.

HORÁRIO

De quarta a sexta das 17h às 20h, Sábado das 15h às 20h."

A inauguração é na próxima Sexta na Av. Da Liberdade.; 10:39 da tarde
Desolation Row disse...: uma das minhas maiores influencias... talvez a maior... nunca o heide eskecer... absolutamente sublime... tenho penas das pessoas que nao leram o "On the road"...; 5:26 da tarde
Anónimo disse...: .
"sob influência" todas as estradas são azuis?
.; 5:44 da tarde
merdinhas disse...: A estrada continua no n.º 211 , 1º andar da Av. da Liberdade. Além da exposição ...
Dia 24 de Nov. às 17h - Leitura de textos da Beat Generation e

Dia 1 de Dezembro às 22h
Tó Trips (Dead Combo - ex lulu blind)

Neste blog faz todo o sentido.; 8:13 da tarde

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spontaneous prose - kerouac

SET-UP The object is set before the mind, either in reality. as in sketching (before a landscape or teacup or old face) or is set in the memory wherein it becomes the sketching from memory of a definite image-object.

PROCEDURE Time being of the essence in the purity of speech, sketching language is undisturbed flow from the mind of personal secret idea-words, blowing (as per jazz musician) on subject of image.

METHOD No periods separating sentence-structures already arbitrarily riddled by false colons and timid usually needless commas-but the vigorous space dash separating rhetorical breathing (as jazz musician drawing breath between outblown phrases)--"measured pauses which are the essentials of our speech"--"divisions of the sounds we hear"-"time and how to note it down." (William Carlos Williams)

SCOPING Not "selectivity' Iof expression but following free deviation (association) of mind into limitless blow-on-subject seas of thought, swimming in sea of English with no discipline other than rhythms of rhetorical exhalation and expostulated statement, like a fist coming down on a table with each complete utterance, bang! (the space dash)-Blow as deep as you want-write as deeply, fish as far down as you want, satisfy yourself first, then reader cannot fail to receive telepathic shock and meaning-excitement by same laws operating in his own human mind.

LAG IN PROCEDURE No pause to think of proper word but the infantile pileup of scatological buildup words till satisfaction is gained, which will turn out to be a great appending rhythm to a thought and be in accordance with Great Law of timing.

TIMING Nothing is muddy that runs in time and to laws of time-Shakespearian stress of dramatic need to speak now in own unalterable way or forever hold tongue-no revisions (except obvious rational mistakes, such as names or calculated insertions in act of not writing but inserting).

CENTER OF INTEREST Begin not from preconceived idea of what to say about image but from jewel center of interest in subject of image at moment of writing, and write outwards swimming in sea of language to peripheral release and exhaustion-Do not afterthink except for poetic or P. S. reasons. Never afterthink to "improve" or defray impressions, as, the best writing is always the most painful personal wrung-out tossed from cradle warm protective mind-tap from yourself the song of yourself, blow!-now!-your way is your only way-"good"-or "bad"-always honest ("ludi- crous"), spontaneous, "confessionals' interesting, because not "crafted." Craft is craft.

STRUCTURE OF WORK Modern bizarre structures (science fiction, etc.) arise from language being dead, "different" themes give illusion of "new" life. Follow roughly outlines in outfanning movement over subject, as river rock, so mindflow over jewel-center need (run your mind over it, once) arriving at pivot, where what was dim-formed "beginning" becomes sharp-necessitating "ending" and language shortens in race to wire of time-race of work, following laws of Deep Form, to conclusion, last words, last trickle-Night is The End.

MENTAL STATE If possible write "without consciousness" in semi-trance (as Yeats' later "trance writing") allowing subconscious to admit in own uninhibited interesting necessary and so "modern" language what conscious art would censor, and write excitedly, swiftly, with writing-or-typing-cramps, in accordance (as from center to periphery) with laws of orgasm, Reich's "beclouding of consciousness." Come from within, out-to relaxed and said.

composição - kerouac

Scribbled secret notebooks, and wild typewritten pages, for yr own joy Submissive to everything, open, listening Try never get drunk outside your own house Be in love with your life Something that you feel will find its own form Be crazy dumbsaint of the mind Blow as deep as you want to blow Write what you want bottomless from bottom of the mind The unspeakable visions of the individual No time for poetry but exactly what is Visionary tics shivering in the chest In tranced fixation dreaming upon object before you Remove literary, grammatical and syntactical inhibition Like Proust be an old teahead of time Telling the true story of the world in interior monolog The jewel center of interest is the eye within the eye Write in recollection and amazement for yrself Work from pithy middle eye out, swimming in language sea Accept loss forever Believe in the holy contour of life Struggle to sketch the flow that already exists intact in mind Don't think of words when you stop but to see picture better Keep track of every day the date emblazoned in yr morning No fear or shame in the dignity of yr experience, language & knowledge Write for the world to read and see yr exact pictures of it Bookmovie is the movie in words, the visual American form In praise of Character in the Bleak inhuman Loneliness Composing wild, undisciplined, pure, coming in from under, crazier the better You're a Genius all the time Writer-Director of Earthly movies Sponsored & Angeled in Heaven

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domingo, novembro 04, 2007

quem és tu zé gato?

5 comentários:

Seguidores

PULP/WAVE

música, feita em casa...

alguns...

spontaneous prose - kerouac

composição - kerouac

beat

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