naked lunch

quinta-feira, agosto 27, 2009

“If you're losing your soul and you know it, then you've still got a soul left to lose”
bukbukbukbukbukbukbukbukbukbukbukbukbukbukbukbukbukbukbukbukbukbukbukbukbuk

sexta-feira, agosto 14, 2009

Com passagens por New Connection e Coty Cream, esta mais fugaz, e ultimamente como parte do colectivo A Naked Lunch e metade da dupla Mouraria Beat Ensemble, foi como Jorge Nunes, em nome próprio, que este entrou de rompante no mundo do netaudio nacional. São já três os registos lançados em 2009: um pela Enough Records; outro pela XS Records; e um terceiro pela catalã Audiotalaia. Jorge Nunes é o convidado de hoje das ‘curtas’:

Jorge Nunes | 34 anos | Lisboa
Música: Ex: New Connection; Ex: Coty Cream; A Naked Lunch; Mouraria Beat Ensemble; Jorge Nunes; entre outros.

01. Um músico de referência:
Sem dúvida o Vítor Rua…

02. Um grupo ou projecto de eleição:
Loosers.

03. Um disco fundamental:
Pergunta muito difícil… talvez o “Bully Bones Of Belgie”, dos Loosers.

04. Uma canção ou tema inesquecível:
Verdes Anos, do Carlos Paredes.

05. O disco que ultimamente mais o surpreendeu:
Hezbollah, a Mix Tape “Entri Lagrimaz e Rimaz”… a descoberta do rap em crioulo… o primeiro tema é fenomenal…

06. O último disco que comprou: Quando?
Zul Zelub, do Jorge Lima Barreto, em Julho.

07. O disco de 2009 que mais gostou:
Difícil de responder… talvez a Mix Tape “Entri Lagrimaz e Rimaz”, pela surpresa.

08 O disco que mais o desiludiu:
“Magnífico Material Inútil”, dos Pontos Negros.

09. A última boa descoberta:
O “Off-Off”, dos Telectu… já de 84, mas descobri há pouco… hipnótico…

10. O último concerto que assistiu ao vivo? Quando?
Os “One Love Family” e “Roda de Choro de Lisboa”, a 2 de Agosto, na Quinta do Sales.

11. O artista ou banda mais importante para a história da música moderna em Portugal?
O Vítor Rua!!!

12. Um disco que se aconselha; livre e gratuito:
O “The Western Lands”, do Tiago Sousa… já de 2008, mas continuo a ouvir em loop… a ouvir!

aqui

quarta-feira, agosto 12, 2009

MOURARIA BEAT ENSEMBLE - CONCERTO NO BECO

dia 5 de Setembro, Mouraria Beat Ensemble ao vivo na MOURARIA (BECO)... mais informação aqui

sexta-feira, agosto 07, 2009

ceremony

... há qualquer coisa nesta música...

quarta-feira, agosto 05, 2009

TECIDO

foto: ana saramago

... da electrónica (rudimentar) aos micros (rudimentares)... um regresso aos objectos (musicais ou não...)... regresso também ao ouvido apurado para os sons que vão passando, despercebidos (a máquina de café pela manhã, por exemplo)... depois de uma alucinação sonora nocturna, para os lados da serra da lousã (a primeira... provocada talvez por um outro regresso... à natureza...) - uma cascata que soava a sintetizador - as ideias voltaram... a coisa começou ontem a ser produzida, pela "garagem hermética"... talvez dê em alguma coisa - ou não - ... para já apreciam-se a subtilezas das texturas sonoras que se conseguem através da manipulação de objectos e respectiva captação... a perna de plástico tem sido surpreendente...

já não o escrevia há muito...

... HAJA MÚSICA

spontaneous prose - kerouac

SET-UP The object is set before the mind, either in reality. as in sketching (before a landscape or teacup or old face) or is set in the memory wherein it becomes the sketching from memory of a definite image-object.

PROCEDURE Time being of the essence in the purity of speech, sketching language is undisturbed flow from the mind of personal secret idea-words, blowing (as per jazz musician) on subject of image.

METHOD No periods separating sentence-structures already arbitrarily riddled by false colons and timid usually needless commas-but the vigorous space dash separating rhetorical breathing (as jazz musician drawing breath between outblown phrases)--"measured pauses which are the essentials of our speech"--"divisions of the sounds we hear"-"time and how to note it down." (William Carlos Williams)

SCOPING Not "selectivity' Iof expression but following free deviation (association) of mind into limitless blow-on-subject seas of thought, swimming in sea of English with no discipline other than rhythms of rhetorical exhalation and expostulated statement, like a fist coming down on a table with each complete utterance, bang! (the space dash)-Blow as deep as you want-write as deeply, fish as far down as you want, satisfy yourself first, then reader cannot fail to receive telepathic shock and meaning-excitement by same laws operating in his own human mind.

LAG IN PROCEDURE No pause to think of proper word but the infantile pileup of scatological buildup words till satisfaction is gained, which will turn out to be a great appending rhythm to a thought and be in accordance with Great Law of timing.

TIMING Nothing is muddy that runs in time and to laws of time-Shakespearian stress of dramatic need to speak now in own unalterable way or forever hold tongue-no revisions (except obvious rational mistakes, such as names or calculated insertions in act of not writing but inserting).

CENTER OF INTEREST Begin not from preconceived idea of what to say about image but from jewel center of interest in subject of image at moment of writing, and write outwards swimming in sea of language to peripheral release and exhaustion-Do not afterthink except for poetic or P. S. reasons. Never afterthink to "improve" or defray impressions, as, the best writing is always the most painful personal wrung-out tossed from cradle warm protective mind-tap from yourself the song of yourself, blow!-now!-your way is your only way-"good"-or "bad"-always honest ("ludi- crous"), spontaneous, "confessionals' interesting, because not "crafted." Craft is craft.

STRUCTURE OF WORK Modern bizarre structures (science fiction, etc.) arise from language being dead, "different" themes give illusion of "new" life. Follow roughly outlines in outfanning movement over subject, as river rock, so mindflow over jewel-center need (run your mind over it, once) arriving at pivot, where what was dim-formed "beginning" becomes sharp-necessitating "ending" and language shortens in race to wire of time-race of work, following laws of Deep Form, to conclusion, last words, last trickle-Night is The End.

MENTAL STATE If possible write "without consciousness" in semi-trance (as Yeats' later "trance writing") allowing subconscious to admit in own uninhibited interesting necessary and so "modern" language what conscious art would censor, and write excitedly, swiftly, with writing-or-typing-cramps, in accordance (as from center to periphery) with laws of orgasm, Reich's "beclouding of consciousness." Come from within, out-to relaxed and said.

composição - kerouac

Scribbled secret notebooks, and wild typewritten pages, for yr own joy Submissive to everything, open, listening Try never get drunk outside your own house Be in love with your life Something that you feel will find its own form Be crazy dumbsaint of the mind Blow as deep as you want to blow Write what you want bottomless from bottom of the mind The unspeakable visions of the individual No time for poetry but exactly what is Visionary tics shivering in the chest In tranced fixation dreaming upon object before you Remove literary, grammatical and syntactical inhibition Like Proust be an old teahead of time Telling the true story of the world in interior monolog The jewel center of interest is the eye within the eye Write in recollection and amazement for yrself Work from pithy middle eye out, swimming in language sea Accept loss forever Believe in the holy contour of life Struggle to sketch the flow that already exists intact in mind Don't think of words when you stop but to see picture better Keep track of every day the date emblazoned in yr morning No fear or shame in the dignity of yr experience, language & knowledge Write for the world to read and see yr exact pictures of it Bookmovie is the movie in words, the visual American form In praise of Character in the Bleak inhuman Loneliness Composing wild, undisciplined, pure, coming in from under, crazier the better You're a Genius all the time Writer-Director of Earthly movies Sponsored & Angeled in Heaven

.

quinta-feira, agosto 27, 2009

sexta-feira, agosto 14, 2009

Lê-se, n'A Trompa

CURTAS|Jorge Nunes

quarta-feira, agosto 12, 2009

MOURARIA BEAT ENSEMBLE - CONCERTO NO BECO

sexta-feira, agosto 07, 2009

ceremony

quarta-feira, agosto 05, 2009

TECIDO

Seguidores

PULP/WAVE

música, feita em casa...

alguns...

spontaneous prose - kerouac

composição - kerouac

beat

arquivados