naked lunch

domingo, março 30, 2008

amanhã

começa amanhã a gravação do primeiro disco... no estúdio "garagem hermética", com a orientação do vitor rua...

ainda não sei o quê e como... amanhã logo se vê...

sábado, março 29, 2008

"Dois regressos: a a naked lunch e ao universo da BD.

Dois dos frutos do Workshop de Paisagens Sonoras para BD, estão já em audição no MySpace do organizador. Dinamizado por a naked lunch, na sua Garagem Hermética, este workshop foi especialmente dirigido a ‘não músicos’. De resto e para quem gosta de se deixar embalar pelo universo da BD, o dinamizador disponibilizou os temas que tiveram por inspiração o livro “O Homem que Caminha”, de Jiro Taniguchi, e o livro “Asilo de Arkham” (Batman).

O resultado é deveras interessante; uma forte mistura de ambientes, cores e tonalidades electroacústicas - tudo com ‘não músicos’.

Experimentem e se puderem, leiam também…"

A Trompa, 28 Março 2008

sexta-feira, março 28, 2008

Indie Lisboa 2008 - workshop de bandas sonoras

... mais uma participação no Indie Lisboa...

... nos dias 26 de Abril e 3 de Maio, pelas 14 horas na sala de ensaios do Teatro Maria Matos...

... workshop de bandas sonoras para curtas... dirigido a crianças... composição, execução e gravação de suportes sonoros para curtas seleccionadas pelo Festival... mais novidades em breve...

quinta-feira, março 27, 2008

181

180

domingo, março 23, 2008

quarta-feira, março 19, 2008

o tempo está bom. o ar deste fim de tarde cheira a archosa e a tantrela*
* moebius

domingo, março 16, 2008

Livre Trânsito

quinta-feira, março 13, 2008

sobre a realidade de um escaravelho comum

boomp3.com

ruinas ensemble: hipnótico

... "Nothing is true, everything is permitted" (william burroughs)

sexta-feira, março 07, 2008

o homem que caminha...

boomp3.com

paisagens sonoras: o homem que caminha

... o livro de Jiro Taniguchi é uma pérola... um homem que caminha e pouco mais...

...uma paisagem radicalmente diferente... mais uma vez, não foi esta imagem o ponto de partida... uma banda sonora para momentos zen... pelo mesmo ensemble do workshop de paisagens sonoras para bd...

segunda-feira, março 03, 2008

quero sair daqui...

boomp3.com

paisagens sonoras: quero sair daqui

o primeiro ambiente sonoro do workshop de domingo passado... a partir do livro "asilo de arkham", do universo de batman (aqui numa versão negra)...

a coisa partiu da observação de uma página... daí para a composição a partir de conceitos-chave... depois uma exploração prévia de objectos e instrumentos... e a interpretação (em grupo) e gravação...

do workshop resultaram outros dois ambientes sonoros (em breve por aqui)...

os "músicos" (paisagens ensemble): rita, sara, maria joão, dora, abrão, leonardo e takashi...

spontaneous prose - kerouac

SET-UP The object is set before the mind, either in reality. as in sketching (before a landscape or teacup or old face) or is set in the memory wherein it becomes the sketching from memory of a definite image-object.

PROCEDURE Time being of the essence in the purity of speech, sketching language is undisturbed flow from the mind of personal secret idea-words, blowing (as per jazz musician) on subject of image.

METHOD No periods separating sentence-structures already arbitrarily riddled by false colons and timid usually needless commas-but the vigorous space dash separating rhetorical breathing (as jazz musician drawing breath between outblown phrases)--"measured pauses which are the essentials of our speech"--"divisions of the sounds we hear"-"time and how to note it down." (William Carlos Williams)

SCOPING Not "selectivity' Iof expression but following free deviation (association) of mind into limitless blow-on-subject seas of thought, swimming in sea of English with no discipline other than rhythms of rhetorical exhalation and expostulated statement, like a fist coming down on a table with each complete utterance, bang! (the space dash)-Blow as deep as you want-write as deeply, fish as far down as you want, satisfy yourself first, then reader cannot fail to receive telepathic shock and meaning-excitement by same laws operating in his own human mind.

LAG IN PROCEDURE No pause to think of proper word but the infantile pileup of scatological buildup words till satisfaction is gained, which will turn out to be a great appending rhythm to a thought and be in accordance with Great Law of timing.

TIMING Nothing is muddy that runs in time and to laws of time-Shakespearian stress of dramatic need to speak now in own unalterable way or forever hold tongue-no revisions (except obvious rational mistakes, such as names or calculated insertions in act of not writing but inserting).

CENTER OF INTEREST Begin not from preconceived idea of what to say about image but from jewel center of interest in subject of image at moment of writing, and write outwards swimming in sea of language to peripheral release and exhaustion-Do not afterthink except for poetic or P. S. reasons. Never afterthink to "improve" or defray impressions, as, the best writing is always the most painful personal wrung-out tossed from cradle warm protective mind-tap from yourself the song of yourself, blow!-now!-your way is your only way-"good"-or "bad"-always honest ("ludi- crous"), spontaneous, "confessionals' interesting, because not "crafted." Craft is craft.

STRUCTURE OF WORK Modern bizarre structures (science fiction, etc.) arise from language being dead, "different" themes give illusion of "new" life. Follow roughly outlines in outfanning movement over subject, as river rock, so mindflow over jewel-center need (run your mind over it, once) arriving at pivot, where what was dim-formed "beginning" becomes sharp-necessitating "ending" and language shortens in race to wire of time-race of work, following laws of Deep Form, to conclusion, last words, last trickle-Night is The End.

MENTAL STATE If possible write "without consciousness" in semi-trance (as Yeats' later "trance writing") allowing subconscious to admit in own uninhibited interesting necessary and so "modern" language what conscious art would censor, and write excitedly, swiftly, with writing-or-typing-cramps, in accordance (as from center to periphery) with laws of orgasm, Reich's "beclouding of consciousness." Come from within, out-to relaxed and said.

composição - kerouac

Scribbled secret notebooks, and wild typewritten pages, for yr own joy Submissive to everything, open, listening Try never get drunk outside your own house Be in love with your life Something that you feel will find its own form Be crazy dumbsaint of the mind Blow as deep as you want to blow Write what you want bottomless from bottom of the mind The unspeakable visions of the individual No time for poetry but exactly what is Visionary tics shivering in the chest In tranced fixation dreaming upon object before you Remove literary, grammatical and syntactical inhibition Like Proust be an old teahead of time Telling the true story of the world in interior monolog The jewel center of interest is the eye within the eye Write in recollection and amazement for yrself Work from pithy middle eye out, swimming in language sea Accept loss forever Believe in the holy contour of life Struggle to sketch the flow that already exists intact in mind Don't think of words when you stop but to see picture better Keep track of every day the date emblazoned in yr morning No fear or shame in the dignity of yr experience, language & knowledge Write for the world to read and see yr exact pictures of it Bookmovie is the movie in words, the visual American form In praise of Character in the Bleak inhuman Loneliness Composing wild, undisciplined, pure, coming in from under, crazier the better You're a Genius all the time Writer-Director of Earthly movies Sponsored & Angeled in Heaven

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