naked lunch

muita coisa ao mesmo tempo, altura ideal para uma curta paragem... mais novidades, em breve... fica o sound is the place

É UM DAQUELES POSTS EXIGENTES... UMA CURTA, DE DEZ MINUTOS... ACONSELHO QUE VEJAM DIRECTAMENTE NO YOUTUBE (CLICAR NA IMAGEM...)... A VER COM ALGUM TEMPO...

O projecto chama-se SOUND IS THE PLACE.

Começou por ser uma brincadeira sobre uma Lisboa ideal, a propósito do desafio lançado pela associação Alkantara e pela Zé dos Bois.

Sem meios técnicos ou conhecimentos sobre como fazer um vídeo, assumi o amadorismo da coisa e criei uma parceria com o naked lunch, que tratou de fazer os temas musicais.

O conceito é "lugares imaginários". O som transporta-nos para determminados lugares que não existem senão de forma sensorial na nossa mente e corpo. A música foi elaborada com base em descrições das cenas, antes mesmo de elas serem filmadas e editadas. Ou seja, há uma tentativa de recriar determinados ambientes, mas os sons não foram, de facto, "colados" às imagens.

Este é um video sobre uma Lisboa que gostaríamos de ter, sobre a busca de uma tranquilidade na cidade que nos acolhe, quer nela vivamos, quer estejamos de passagem.

in http://maizine.blogspot.com/

spontaneous prose - kerouac

SET-UP The object is set before the mind, either in reality. as in sketching (before a landscape or teacup or old face) or is set in the memory wherein it becomes the sketching from memory of a definite image-object.

PROCEDURE Time being of the essence in the purity of speech, sketching language is undisturbed flow from the mind of personal secret idea-words, blowing (as per jazz musician) on subject of image.

METHOD No periods separating sentence-structures already arbitrarily riddled by false colons and timid usually needless commas-but the vigorous space dash separating rhetorical breathing (as jazz musician drawing breath between outblown phrases)--"measured pauses which are the essentials of our speech"--"divisions of the sounds we hear"-"time and how to note it down." (William Carlos Williams)

SCOPING Not "selectivity' Iof expression but following free deviation (association) of mind into limitless blow-on-subject seas of thought, swimming in sea of English with no discipline other than rhythms of rhetorical exhalation and expostulated statement, like a fist coming down on a table with each complete utterance, bang! (the space dash)-Blow as deep as you want-write as deeply, fish as far down as you want, satisfy yourself first, then reader cannot fail to receive telepathic shock and meaning-excitement by same laws operating in his own human mind.

LAG IN PROCEDURE No pause to think of proper word but the infantile pileup of scatological buildup words till satisfaction is gained, which will turn out to be a great appending rhythm to a thought and be in accordance with Great Law of timing.

TIMING Nothing is muddy that runs in time and to laws of time-Shakespearian stress of dramatic need to speak now in own unalterable way or forever hold tongue-no revisions (except obvious rational mistakes, such as names or calculated insertions in act of not writing but inserting).

CENTER OF INTEREST Begin not from preconceived idea of what to say about image but from jewel center of interest in subject of image at moment of writing, and write outwards swimming in sea of language to peripheral release and exhaustion-Do not afterthink except for poetic or P. S. reasons. Never afterthink to "improve" or defray impressions, as, the best writing is always the most painful personal wrung-out tossed from cradle warm protective mind-tap from yourself the song of yourself, blow!-now!-your way is your only way-"good"-or "bad"-always honest ("ludi- crous"), spontaneous, "confessionals' interesting, because not "crafted." Craft is craft.

STRUCTURE OF WORK Modern bizarre structures (science fiction, etc.) arise from language being dead, "different" themes give illusion of "new" life. Follow roughly outlines in outfanning movement over subject, as river rock, so mindflow over jewel-center need (run your mind over it, once) arriving at pivot, where what was dim-formed "beginning" becomes sharp-necessitating "ending" and language shortens in race to wire of time-race of work, following laws of Deep Form, to conclusion, last words, last trickle-Night is The End.

MENTAL STATE If possible write "without consciousness" in semi-trance (as Yeats' later "trance writing") allowing subconscious to admit in own uninhibited interesting necessary and so "modern" language what conscious art would censor, and write excitedly, swiftly, with writing-or-typing-cramps, in accordance (as from center to periphery) with laws of orgasm, Reich's "beclouding of consciousness." Come from within, out-to relaxed and said.

composição - kerouac

Scribbled secret notebooks, and wild typewritten pages, for yr own joy Submissive to everything, open, listening Try never get drunk outside your own house Be in love with your life Something that you feel will find its own form Be crazy dumbsaint of the mind Blow as deep as you want to blow Write what you want bottomless from bottom of the mind The unspeakable visions of the individual No time for poetry but exactly what is Visionary tics shivering in the chest In tranced fixation dreaming upon object before you Remove literary, grammatical and syntactical inhibition Like Proust be an old teahead of time Telling the true story of the world in interior monolog The jewel center of interest is the eye within the eye Write in recollection and amazement for yrself Work from pithy middle eye out, swimming in language sea Accept loss forever Believe in the holy contour of life Struggle to sketch the flow that already exists intact in mind Don't think of words when you stop but to see picture better Keep track of every day the date emblazoned in yr morning No fear or shame in the dignity of yr experience, language & knowledge Write for the world to read and see yr exact pictures of it Bookmovie is the movie in words, the visual American form In praise of Character in the Bleak inhuman Loneliness Composing wild, undisciplined, pure, coming in from under, crazier the better You're a Genius all the time Writer-Director of Earthly movies Sponsored & Angeled in Heaven

10 comentários:

Haddock disse...: muito porreiro! gostei!
um abraço.; 1:03 da tarde
Jazz Manel disse...: Muito fixe, é pena não se poder ver e ouvir em grrrrrrrrrrrande!!!; 10:25 da manhã
Naked Lunch disse...: vai ser apresentado no contexto do "Lisboa Ideal", pela associação alkantara e zdb... por lisboa, nas ruas (também)... mas é no dia 12, estamos em braga, a tocar... ;)

vamos fazer uma edição caseira da coisa... depois faço-te um preço simpático...; 10:28 da manhã
Jazz Manel disse...: ok...1 euro, pago a pronto!!!; 2:29 da tarde
merdinhas disse...: Foi bom passar por aqui e ver/ouvir.; 12:39 da manhã
linfoma_a-escrota disse...: melhor filme de sempre, u naked lunch kero dizer, fika

www.motoratasdemarte.blogspot.com; 3:00 da manhã
merdinhas disse...: voltei ao yotube. aos mesmos lugares. desta vez com muita calma.; 10:56 da tarde
laura disse...: ainda bem que gostaram. a edição caseira está aí a sair para quem quiser ficar com um "recuerdo" :); 1:44 da tarde
merdinhas disse...: Para Nacked Lunch; 12:03 da manhã
indigente andrajoso disse...: muito bem,

tambem ia participar com o interface "a cidade não é uma arvore" e por estupidez passei o prazo... enfim; 3:19 da tarde

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sexta-feira, abril 27, 2007

sound is the place

10 comentários:

Seguidores

PULP/WAVE

música, feita em casa...

alguns...

spontaneous prose - kerouac

composição - kerouac

beat

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