naked lunch

sexta-feira, abril 24, 2009

LIBERDADE

lê-se n'A TROMPA

NOVOS SONSMouraria Beat Ensemble 24Abr09

Agora com muito som…Os amigos Mouraria Beat Ensemble disponibilizaram no seu MySpace um interessante lote das suas longas apresentações ocorridas na passada semana no Lisbon Safari. Um ideia interessante, alternativa; uma ideia feita de improvisos, repleta de miúdas experiências. Experimental.Os Mouraria Beat Ensemble são uma dupla formada por Jorge Nunes e Vasco Albergaria, em tempos, ambos parte de projectos como New Connection e Coty Cream.Entretanto, a dupla voltará a atacar hoje e no próximo dia 1 de Maio, com concertos temáticos no mesmo Lisbon Safari - das 22h00 às 01h00.

mais em http://www.myspace.com/mourariabeatensemble

terça-feira, abril 21, 2009

mouraria beat ensemble ao vivo no lisbon safari, 24 de abril

por enquanto, umas imagens do passado fim de semana, por Jorge Matreno

lisbon safari - 17 de abril de 2009

vídeo: takashi Sugimoto

domingo, abril 19, 2009

mouraria beat ensemble - live in LISBON SAFARI

... a ouvir aqui... a acompanhar aqui

quarta-feira, abril 15, 2009

mouraria beat ensemble AO VIVO

... mouraria beat ensemble ao vivo no "lisbon safari"

dias 17 e 18 de abril na rua do norte 103, bairro alto, lisboa

segunda-feira, abril 13, 2009

PULP/WAVE

Catalogue #: 020

Name: WAVE / PULP

Artist: JORGE NUNES

Date of release: 13.04.09

Format: MP3-FILE
Description:
Audiotalaia is proud to present the work of portuguese artist Jorge Nunes. This is a really special release for us because many reasons. Principally because is the first time that Audiotalaia hosts a work done with non digital processing systems. Also WAVE / PULP is a two for the price of one album. It contains two tracks that are sisters in a really special way. Also it's the 20th release in Audiotalaia and we want to thank all the people who had made this possible.

Jorge Nunes bases it's work in live improvisation. He likes to manipulate instruments and non musical objects and synthetisers. And that is WAVE / PULP an experiment where different generes in music merge in two extensive compositions.

Artwork by: Carla Ariza

Tracklist:
01. Wave

02. Pulp

Lenght: 60 min

download (free): HTTP://WWW.AUDIOTALAIA.NET/AT020.HTM

mais em http://www.myspace.com/jorgenunes

Indie Lisboa 2009 - RUÍNAS

Ruínas
Manuel Mozos

Exibições: 1 Maio, 17:45, Cinema Londres, Sala 2 • 30 Abril, 22:00, Cinema São Jorge, Sala 1

Documentário, Portugal , 2009, 60', Beta Digital

Fotografia: Luís Miguel Correia

Música: Anakedlunch

Som: António Pedro Figueiredo

Montagem: Telmo Churro

Produtor: Luís Urbano

Produção: O Som e a Fúria

Fragmentos de espaços e tempos, restos de épocas e locais onde apenas habitam memórias e fantasmas. Vestígios de coisas sobre as quais o tempo, os elementos, a natureza, e a própria acção humana modificaram e modificam. Com o tempo tudo deixa de ser transformando-se eventualmente numa outra coisa. Lugares que deixaram de fazer sentido, de serem necessários, de estar na moda. Lugares esquecidos, obsoletos, inóspitos, vazios. Não interessa aqui explicar porque foram criados e existiram, nem as razões porque se abandonaram ou foram transformados. Apenas se promove uma ideia, talvez poética, sobre algo que foi e é parte da(s) história(s) deste País. Um belíssimo filme-ensaio, género particularmente raro no cinema português.

domingo, abril 12, 2009

estado

mouraria beat ensemble

... quase aí...

sábado, abril 11, 2009

outras músicas

... "primero G"... a ouvir (mesmo) por AQUI

“How I hate those who are dedicated to producing conformity.” william burroughs

terça-feira, abril 07, 2009

por aqui, esta semana

http://residenciakovam.wordpress.com/

sábado, abril 04, 2009

noites v.

quinta-feira, abril 02, 2009

.

... uma espécie de círculo... alguma vez havia de vir parar a estes lados... talvez seja justo...

quarta-feira, abril 01, 2009

será do papel de parede?

soundscapes

foto: ana saramago

"estão aqui 37 graus. é um corpo. e ninguém se aproxima. senão para recuar. devorar. ou ficar" vasco gato

admiração profunda... se o fosse, religiosa... a luz é sempre mágica, em doses consideráveis flash?)... a verouvir aqui... as paisagens sonoras individuais ou em grupo (é sempre bom poder escolher...)

ana... fazemos a exposição?

haverá?

mais que uma verdade?
duas realidades?
uma antes das oito
outra depois?
quantas vezes é preciso repetir, até ser verdade? (cinco?)
é preciso explicar a verdade? (se sim, quantas vezes?)
é uma questão de comunicação? (ão)
uma convenção? (ão)
má vontade? (piu)
ou pura
estupidez? (?)
incapacidade?
há mesmo algum problema?
"um vapor lilás e transparente"

fotos: v. albergaria

dirty cop

para viajar um pouco, por aqui

Subscrever: Mensagens (Atom)

spontaneous prose - kerouac

SET-UP The object is set before the mind, either in reality. as in sketching (before a landscape or teacup or old face) or is set in the memory wherein it becomes the sketching from memory of a definite image-object.

PROCEDURE Time being of the essence in the purity of speech, sketching language is undisturbed flow from the mind of personal secret idea-words, blowing (as per jazz musician) on subject of image.

METHOD No periods separating sentence-structures already arbitrarily riddled by false colons and timid usually needless commas-but the vigorous space dash separating rhetorical breathing (as jazz musician drawing breath between outblown phrases)--"measured pauses which are the essentials of our speech"--"divisions of the sounds we hear"-"time and how to note it down." (William Carlos Williams)

SCOPING Not "selectivity' Iof expression but following free deviation (association) of mind into limitless blow-on-subject seas of thought, swimming in sea of English with no discipline other than rhythms of rhetorical exhalation and expostulated statement, like a fist coming down on a table with each complete utterance, bang! (the space dash)-Blow as deep as you want-write as deeply, fish as far down as you want, satisfy yourself first, then reader cannot fail to receive telepathic shock and meaning-excitement by same laws operating in his own human mind.

LAG IN PROCEDURE No pause to think of proper word but the infantile pileup of scatological buildup words till satisfaction is gained, which will turn out to be a great appending rhythm to a thought and be in accordance with Great Law of timing.

TIMING Nothing is muddy that runs in time and to laws of time-Shakespearian stress of dramatic need to speak now in own unalterable way or forever hold tongue-no revisions (except obvious rational mistakes, such as names or calculated insertions in act of not writing but inserting).

CENTER OF INTEREST Begin not from preconceived idea of what to say about image but from jewel center of interest in subject of image at moment of writing, and write outwards swimming in sea of language to peripheral release and exhaustion-Do not afterthink except for poetic or P. S. reasons. Never afterthink to "improve" or defray impressions, as, the best writing is always the most painful personal wrung-out tossed from cradle warm protective mind-tap from yourself the song of yourself, blow!-now!-your way is your only way-"good"-or "bad"-always honest ("ludi- crous"), spontaneous, "confessionals' interesting, because not "crafted." Craft is craft.

STRUCTURE OF WORK Modern bizarre structures (science fiction, etc.) arise from language being dead, "different" themes give illusion of "new" life. Follow roughly outlines in outfanning movement over subject, as river rock, so mindflow over jewel-center need (run your mind over it, once) arriving at pivot, where what was dim-formed "beginning" becomes sharp-necessitating "ending" and language shortens in race to wire of time-race of work, following laws of Deep Form, to conclusion, last words, last trickle-Night is The End.

MENTAL STATE If possible write "without consciousness" in semi-trance (as Yeats' later "trance writing") allowing subconscious to admit in own uninhibited interesting necessary and so "modern" language what conscious art would censor, and write excitedly, swiftly, with writing-or-typing-cramps, in accordance (as from center to periphery) with laws of orgasm, Reich's "beclouding of consciousness." Come from within, out-to relaxed and said.

composição - kerouac

Scribbled secret notebooks, and wild typewritten pages, for yr own joy Submissive to everything, open, listening Try never get drunk outside your own house Be in love with your life Something that you feel will find its own form Be crazy dumbsaint of the mind Blow as deep as you want to blow Write what you want bottomless from bottom of the mind The unspeakable visions of the individual No time for poetry but exactly what is Visionary tics shivering in the chest In tranced fixation dreaming upon object before you Remove literary, grammatical and syntactical inhibition Like Proust be an old teahead of time Telling the true story of the world in interior monolog The jewel center of interest is the eye within the eye Write in recollection and amazement for yrself Work from pithy middle eye out, swimming in language sea Accept loss forever Believe in the holy contour of life Struggle to sketch the flow that already exists intact in mind Don't think of words when you stop but to see picture better Keep track of every day the date emblazoned in yr morning No fear or shame in the dignity of yr experience, language & knowledge Write for the world to read and see yr exact pictures of it Bookmovie is the movie in words, the visual American form In praise of Character in the Bleak inhuman Loneliness Composing wild, undisciplined, pure, coming in from under, crazier the better You're a Genius all the time Writer-Director of Earthly movies Sponsored & Angeled in Heaven